Sometimes in revision, we have to go the long way around until we get back home — but then we recognize it as home. That’s a thought I had last month, seemingly for the first time, so I was surprised to come across this meme:
I did not make this. I didn’t even know what it was from until a search revealed it was something I wrote in my first book. Which might be a meta-case of what this idea was pointing to in the first place. Trippy.
Did you know that there are people who go through an entire day and never say an original word? Not you, of course. You’re a writer who tries to figure out what you really think, and when you do that it has no choice but to come out in a fresh and uncompromised way.
But it’s true. We hear phrases and we pass them around, a kind of cultural currency designed to indicate that we belong and we won’t threaten anybody. Here at Book Architecture, however, we nominate today as anti-cliche day. Which means when we write we won’t describe things as they have been described before. We won’t use phrases that roll of the tongue (like that one) that people before us, and people before them, have used to cover the ground that we are covering.
Today we are going to dig in, and say something new. Or we won’t open our mouths at all.
Having recently dropped a kid off at college for the first time, I know what it’s like to put together some IKEA furniture…with the added handicap of trying to read the directions through a film of tears. Not joking.
Something about the directions for her bed struck me as useful for writers. In an early step (#5 of #21), they tell you not to overtighten the hex bolts. This is because one piece has to fit into another and there has to be some give — you get to the tightening of both pieces later.
You see where I’m going with this, right? I see a lot of writers overtightening their first draft: wordsmithing, agonizing over the perfect dialogue snippets or vocation for a minor character. Those answers will come over the course of the drafting process if you leave things a little loose. If you overtighten, you will just have to go back to a much earlier step and undo everything you have done between now and then — or worse, snap a piece off in your hand and have to go back to that giant parking lot with the weird trolley carts that don’t hold a damn thing comfortably.
How’s that for a bold title. And now we only have 120 words left!
Quickly: meditation for writers involves following the breath. You follow the breath, you settle into concentration, you release the ego, you open up to your inner prompter spooling out the words into your mind just as you become conscious of them.
Good? So the secret to meditation is your posture, specifically one thing: opening your bottom belly. Find the place two inches below your navel which is the lowest your breath goes. Below your chest where you hyperventilate or fight on Facebook, below your upper belly where you wax poetic but are still somewhat on the defensive.
Find the bottom belly. Stay with it. And now write what comes to you in the order in which it comes to you.